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Film and Podcast Mix

Sound that holds up on a phone.
Ears that already know the show.

We mix the piece, hand over stems, and can stay on the next episode. You can take the files if this is the only cut, or keep the mixer if the show still has to ship.

See plansHow we work

Why film and podcast mix

Picture with no sound.
It has to hold up on a phone.

A laptop mix, a freelancer who only knows monitors, or a hire for one episode will not hold up in earbuds. The next episode still has to sound like the show.

01 The load

A laptop, a freelancer, or a hire — none of them own the show

You export from the camera and hope. A mixer who only knows studio monitors fails on a phone. Put an engineer on payroll for a handful of episodes and you have opened a department. You came here so the piece would stop sounding unfinished in earbuds.

The company needs it to hold up where people listen. Not in the studio.

02 The team

The mix is how the episode ships. The next one still has to match.

The first mix is the easy part. A month later the next episode needs ears and nobody remembers the chain. You need a mixer who already knows the show, and can cut the next one without a new brief from zero.

Ears on the show. Already in the chain. Still there next episode.

03 The work

And still — it has to work on a phone.

Voice, design, mix, stems. A loud studio mix is not the artifact. Sound people can actually hear is.

Clear in earbuds. Stems for the editor. Ready to publish.

A mix that only works on studio monitors fails the way people actually listen.

How we work

We lock what has to be heard.
You hear it on a phone. We can stay.

No monitor-only mix. No surprise in earbuds.

  1. 01

    We lock what has to be heard

    A mix, a show, or stems — named before anyone opens the session.

  2. 02

    You hear it on a phone

    You approve before we print. Not after a surprise in earbuds.

  3. 03

    We deliver stems. We can stay.

    You can publish. Keep ears on the next episode, or take the files and stop.

Audio pricing

Choose the mix, and how we work together.

A mix, a show, or a catalog of stems. Pay once if this is the only episode. Keep ears on the show if the next cut still has to hold up on a phone.

Founder

Mix

  • Ongoing
  • Mix

$3850% off

$19/mo. with ongoing support

Your mix, loudness-matched for phones and earbuds

Stereo master plus stems

Your engineer, unlimited updates

WAV and MP3

Cancel Anytime

Sign Up

Recommended

Founder

Mix

  • Ongoing
  • Mix
  • Stems
  • Episodes

$7850% off

$39/mo. with ongoing support

Your mix, loudness-matched for phones and earbuds

Stereo master plus stems

Your engineer, unlimited updates

WAV and MP3

Next episode mixed to the same show spec

Intro bed and sting for the series

Cancel Anytime

Sign Up

Founder

Mix

  • Upfront
  • Files

$19850% off

$99one-time fee, files only

One payment covers the mix

You approve before anything goes live

You get the files and a clear handoff

Best if you plan to run the next change yourself

Add monthly help later if you want it

Buy now

Questions before you hire

What do you actually do?

Voice, sound design, and a mix that works on phones, plus stems. Then the next episode if you stay. Not a studio-only mix.

Can you take over work I already have?

Yes. We start from the picture or the tracks you have. If original music is the missing piece, that is a different job — we say so.

What if I only want the files?

Pay once. We mix. We hand off. You publish. Monthly help is there later if you want it — not a requirement.

Do you stay after the first job?

That's the monthly path: the next episode from ears that already know the show. Cancel when you want.

How is this different from a freelancer or a hire?

You don't restart with a new mixer every episode. Ears that already know the chain, and can cut the next one without a new vendor.

If this is the fit

Pick the mix.
We'll take it from there.

A mix, a show, or a stem catalog. Pay once for the files, or keep ears on the next episode.

See plans