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Brand Score and Sonic Logo

Music you own.
A composer who stays.

We write the cue for the moment it has to carry. You can take the files and run it — or keep us on the brand so the next film does not sound like a stranger.

Why original music

Library tracks expire.
The brand does not.

A stock bed, a cousin who makes beats, or a new license every launch will not give you a sound people remember. The cue still has to belong to you.

01 The load

A library, a freelance beat, or a hire — none of them own the sound

Epidemic is fast until the same bed shows up in someone else's ad. A freelancer delivers one file and ghosts. Put a composer on payroll for two cues a year and you have opened a department you cannot fill. You came here so the next launch would stop sounding like everyone else.

The brand needs a cue it owns. Not another license to renew.

02 The team

The cue is how the film starts. The next film still has to sound like you.

The first sting is the easy part. Six months later the product film needs a bed, the ads need a cut-down, and nobody remembers the key. You need a composer who already knows the brand, and can write the next cue without a new brief from zero.

A composer on the brand. Already in the sound. Still there next launch.

03 The music

And still — it has to work under picture, and you have to own it.

Pretty in a dropbox is not the job. Stems that sit under voice, a sting that cuts, a bed that loops, rights for the use we named. That is how a cue earns its keep.

Yours. Mix-ready. Built for the next launch, not just this one.

Write it once. Sound like yourself the next time.

How we work

We lock the use.
You hear the cue. We can stay.

No stock bed with the serial numbers filed off. No six-month wait for a four-second sting.

  1. 01

    We lock what the music has to do

    Film, sting, sonic logo, or a catalog. Where it sits, who has to own it, what done sounds like — named before anyone writes a note.

  2. 02

    You hear it take shape

    Sketches you can actually react to. You approve before we lock stems — not after a surprise on the timeline.

  3. 03

    We deliver. We can stay.

    You get the files. You own the use we named. Keep a composer on the next launch, or take the cue and run it.

Original music pricing

Choose the music, and how we work together.

A cue, a score, or a catalog. Pay once if this is the only launch. Keep a composer on the brand if the next film still has to sound like you.

Founder

Cue

  • Ongoing
  • Composer

$3850% off

$19/mo. with ongoing support

Your cue, mixed and delivered

Stems, WAV, and MP3 for web, social, and video

Your composer, unlimited updates

Rights for the use we named

Cancel Anytime

Recommended

Founder

Cue

  • Ongoing
  • Composer
  • Sting
  • Next film

$7850% off

$39/mo. with ongoing support

Your cue, mixed and delivered

Stems, WAV, and MP3 for web, social, and video

Your composer, unlimited updates

Rights for the use we named

Sting and bed to match the cue

Next launch scored in the same sound

Cancel Anytime

Founder

Cue

  • Upfront
  • Files

$19850% off

$99one-time fee, files only

One payment covers the cue

You approve before we lock the files

You get stems and rights for the use we named

Best if this is the only launch

Add a composer later if you want it

Questions before you hire

What do you actually write?

A cue, a score, or a catalog: sonic logo, sting, bed, film cue. Stems that sit under voice or picture. Not stock. Not a playlist.

Do we own the music?

Yes. Rights match the use named before we write. You receive stems and, on the recommended plan, a matching set of full, sting, and bed.

Is this stock music?

No. Original music written for your brand. If a library bed would do, you do not need this page.

What if I only need one track?

Pay once. We write. We hand off. You own the use. A composer is there later if the next launch still has to sound like you — not a requirement.

Do you stay after the first cue?

That's the monthly path: the next sting, the next bed, and — if you want it — versions for film and social. Cancel when you want.

How is this different from hiring a composer once?

You don't start from zero every launch. One composer who already knows the brand, and can write the next cue without a new briefing.

If this is the fit

Pick the cue.
We'll take it from there.

A cue, a score, or a catalog. Pay once for the files, or keep a composer on the brand.