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Publishable Video Production

A piece you can publish.
Cuts from an editor who already knows the footage.

We make a film or clip ready for the channels you run. Take the files if this is the only launch, or keep an editor if the next cut still has to ship.

See plansHow we work

Why publishable video

Footage is not a film.
It has to ship.

A shoot with no editor, a freelancer cut, or a hire for one launch will not give you a piece you can publish. The next channel still needs a version.

01 The load

A shoot, a freelancer, or a hire — none of them own the cut

You have a drive of unused clips. A contractor cuts once and ghosts. Put an editor on payroll for two films a year and you have opened a department. You came here so the piece would stop sitting in footage.

The company needs something to press play on. Not another folder.

02 The team

The film is how the launch starts. The next cut still has to ship.

Publish week is the easy part. A month later the ads need a 15 and nobody has the timeline. You need an editor who already knows the footage, and can cut the next version without a new crew.

An editor on the piece. Already in the timeline. Still there next launch.

03 The work

And still — it has to be publishable on the channels you run.

Shoot or edit, grade, cut-downs. A cinematic that never exports is not the artifact. A film people can actually watch is.

Shipped. Versioned. Ready for the channel.

A new crew each launch means the next cut starts from zero.

How we work

We lock the job.
You see the cut. We can stay.

No unused footage dump. No surprise at the export.

  1. 01

    We lock what has to ship

    A clip, a film, or a channel — named before anyone rolls or opens the timeline.

  2. 02

    You approve the cut

    You see the piece. You approve before we make the versions.

  3. 03

    We deliver. We can stay.

    You can publish. Keep the editor on the next cut, or take the files and stop.

Video pricing

Choose the film, and how we work together.

A clip, a film, or a channel we keep cutting. Pay once if this is the only launch. Keep an editor on the footage if the next cut still has to ship.

Founder

Film

  • Ongoing
  • Editor

$17850% off

$89/mo. with ongoing support

Your film, cut and ready to publish (typically 30–90 seconds)

16:9 and 9:16 masters

Your editor, unlimited updates

Color, mix, and titles in the cut

Cancel Anytime

Sign Up

Recommended

Founder

Film

  • Ongoing
  • Editor
  • Cuts
  • Captions

$39650% off

$198/mo. with ongoing support

Your film, cut and ready to publish (typically 30–90 seconds)

16:9 and 9:16 masters

Your editor, unlimited updates

Color, mix, and titles in the cut

Cut-downs for feed, stories, and ads

Captioned versions for silent autoplay

Cancel Anytime

Sign Up

Founder

Film

  • Upfront
  • Files

$78950% off

$389one-time fee, files only

One payment covers the film

You approve before anything goes live

You get the files and a clear handoff

Best if you plan to run the next change yourself

Add monthly help later if you want it

Buy now

Questions before you hire

What do you actually do?

A film or clip you can publish, plus versions for the channels you run. Then more cuts if you stay. Not a folder of unused footage.

Can you take over work I already have?

Yes. We start from the footage or the brief you have. If stills are enough, we say so.

What if I only want the files?

Pay once. We cut. We hand off. You publish. Monthly help is there later if you want it — not a requirement.

Do you stay after the first job?

That's the monthly path: more cuts from the same editor. Cancel when you want.

How is this different from a freelancer or a hire?

You don't restart with a new crew every launch. An editor who already knows the footage, and can cut the next version without a new vendor.

If this is the fit

Pick the film.
We'll take it from there.

A clip, a film, or a channel. Pay once for the files, or keep an editor on the cuts.

See plans